Daily Guardian
  • Home
  • News
  • Politics
  • Business
  • Entertainment
  • Lifestyle
  • Health
  • Sports
  • Technology
  • Climate
  • Auto
  • Travel
  • Web Stories
What's On

NEWMEDIA.COM Launches RankOS™ From Stealth, a Proven Platform for AI and Search Visibility

December 14, 2025

“Mr. Wine of Texas” Bob Landon Explains Stainless Steel Fermentation for HelloNation

December 14, 2025

“Mr. Wine of Texas” Bob Landon Explains How Vintage Shapes Wine Flavor for HelloNation

December 14, 2025

Winter storms, rain and snow wallopping Canada. Here’s where you’ll see it

December 14, 2025

GeeFi’s (GEE) Presale Reports Strong Momentum With 80% of Phase 2 Already Sold Out

December 14, 2025
Facebook X (Twitter) Instagram
Finance Pro
Facebook X (Twitter) Instagram
Daily Guardian
Subscribe
  • Home
  • News
  • Politics
  • Business
  • Entertainment
  • Lifestyle
  • Health
  • Sports
  • Technology
  • Climate
  • Auto
  • Travel
  • Web Stories
Daily Guardian
Home » Sam Altman is right and wrong about the future of photos
Technology

Sam Altman is right and wrong about the future of photos

By News RoomAugust 12, 20254 Mins Read
Sam Altman is right and wrong about the future of photos
Share
Facebook Twitter LinkedIn Pinterest Email
Sam Altman is right and wrong about the future of photos

I’m annoyed, not for the first time, by something Sam Altman has said. But this time it’s because I’m annoyed at how much I agree with what he’s saying — even though I think his statement is kind of bullshit.

In a recent interview, journalist Cleo Abram asked Altman how people will be able to tell what’s real and what’s not in an age of convincing AI-generated content. Specifically, she references the bunnies. You know the ones I mean: caught in some Ring-camera-ish footage of a backyard, discovering and jumping on a trampoline. So cute! So wholesome! So completely AI-generated! The video went viral, almost certainly before the people liking and sharing it realized that it was AI.

So what happens as the technology improves and AI content is everywhere? How will we know what’s real? Eh, we might not, Altman seems to say. By way of an example, he points a finger at something I spend a lot of time thinking about: phone cameras.

“Even a photo you take out of your iPhone today, it’s like, mostly real but it’s a little not,” he tells Abram. So much processing happens between the photons hitting an image sensor and the final image, he says, and what we end up with is a kind of optimized version of reality. And sure, he’s right. Any old digital camera makes a million decisions about a scene: contrast, sharpness, which pixels should be red and which ones are green. A phone camera goes a lot further, combining data from different frames, deciphering what’s the ground and what’s the sky, and brightening faces to look a little more flattering.

Altman’s point is that we accept this level of manipulation as “real,” even though we know there’s more going on. As AI content becomes more commonplace, “I think the threshold for how real does it have to be to be considered to be real will just keep moving,” he says. That’s when I started clenching my jaw.

For starters, there’s a big difference between a photo that starts with photons hitting a sensor and one that is fabricated from scratch with generative AI. If they exist on a spectrum, then it’s pretty god damn big spectrum. I also think that most people aren’t aware of what kind of processing happens when they take a picture with a phone, and it’s not as liberal as his statements suggest. Your iPhone camera isn’t in the business of changing details or adding things that weren’t there. Even when it seems to be doing something screwy, the explanation is usually pretty simple. Sure, sometimes demon face happens. AI moon is one thing, and you can get wild with Google Photos’ gen-AI editing tools. But I haven’t seen evidence of the cameras themselves going rogue and adding elements that weren’t there in the last five years of testing every major phone on the US market.

Invoking phone camera processing as an example of an acceptable un-reality is annoying, but I think Altman is generally right. Our understanding of what is real and what isn’t changed when Photoshop took off. I know all kinds of staging and editing goes into a magazine cover photo, but I still accept a picture of Sarah Jessica Parker on the cover of Vogue as “real.” This understanding has already changed in the AI era when we look at a picture on social media, or an ad, or a product listing — and that will only continue. But Altman implies that as our definition of “real” or “real enough” changes, we’ll appreciate it all the same as something we see with our own eyes. After all, we enjoy science fiction movies even though we know they’re not real, he points out.

But I think that we’re still going to care whether something is real or not and calibrate our enjoyment accordingly. The video of the bunnies on the trampoline is so much less enjoyable when you know it’s not real. The whole premise of the the thing is “look at the funny thing these rabbits did.” That’s only funny if it’s real! If social media becomes awash with cute but unreal videos, I don’t think I’m going to stop caring and just enjoy them. I think I’m going to stop enjoying that social media app. Who knows? Maybe I’ll be spending more time with an LTE smartwatch and less time with my phone in the future.

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email

Keep Reading

I’m finally beginning to trust Microsoft’s handheld Xbox Allys

Inside the high drama of the iPhone 4

The end of OpenAI, and other 2026 tech predictions

The Letterboxd video store is a great new idea about streaming

The best thing I bought this year: a portable mechanical keyboard

Slab is the first MIDI controller built exclusively for Serato Studio

Posha review: this robot chef cooks better than me

The Nex Playground and Pixel Buds 2A top our list of the best deals this week

Holiday 2025 shipping deadlines: USPS, UPS, FedEx, and more

Editors Picks

“Mr. Wine of Texas” Bob Landon Explains Stainless Steel Fermentation for HelloNation

December 14, 2025

“Mr. Wine of Texas” Bob Landon Explains How Vintage Shapes Wine Flavor for HelloNation

December 14, 2025

Winter storms, rain and snow wallopping Canada. Here’s where you’ll see it

December 14, 2025

GeeFi’s (GEE) Presale Reports Strong Momentum With 80% of Phase 2 Already Sold Out

December 14, 2025

Subscribe to News

Get the latest Canada news and updates directly to your inbox.

Latest News

I’m finally beginning to trust Microsoft’s handheld Xbox Allys

December 14, 2025

Evacuation alerts in Abbotsford, B.C. rescinded as floodwaters recede

December 14, 2025

GeeFi (GEE) Announces Upcoming DEX Focused on Smarter and User-Centric Trading

December 14, 2025
Facebook X (Twitter) Pinterest TikTok Instagram
© 2025 Daily Guardian Canada. All Rights Reserved.
  • Privacy Policy
  • Terms
  • Advertise
  • Contact

Type above and press Enter to search. Press Esc to cancel.

Go to mobile version